- Dinner at Deviant's Palace by Tim Powers 12/14
- Saint Julian by Walter Wangerin, Jr. 12/14
- The Greatest Gift by Ann Voskamp 12/14
- The Hidden Stream by Ronald Knox 12/14
- Captain Blood Returns by Rafael Sabatini 12/14
Major Works by Anselm of
- The Persian Boy by Mary Renault 12/14
- The Marsh King by Walter C. Hodges 11/14
by Thomas R. Martin 11/14 Greece
- The House on the Borderland by William Hope Hodgson 11/14
Systematics by Douglas Wilson 11/14 Westminster
- Encyclopedia of Mysterious Places by Robert Ingpen and Philip Wilkinson 11/14
- The Art of Rhetoric by Aristotle 10/14
- 1611 King James Bible 10/14
- Little Town on the Prairie by Laura Ingalls Wilder 10/14
- Sketches of Jewish Social Life in the Days of Christ by Alfred Edersheim 10/14
- Western Civilization by Jackson Spielvogel 10/14
by Jane Austen 10/14 England
by Thomas Nelson Page 9/14 Virginia
- The Return of the King by J.R.R. Tolkien 9/14
- The Mason Bees by Jean-Henri Fabre 9/14
- The Pentateuch in Its Cultural Environment by Herbert Livingstone 8/14
- Cards on the Table by Agatha Christie 8/14
- The Second One Thousand Years (John Richard Neuhaus, ed.) 8/14
- A Primer on Free Will by John Gerstner 8/14
- Pontius Pilate: A Biographical Novel by Paul Maier 8/14
- One Shot by Lee Childs 7/14
- The Edge of Evolution by Michael Behe 7/14
- Scarlet by Stephen Lawhead 7/14
- Beowulf: A Translation and Commentary by J.R.R. Tolkien 7/14
- The Life of the Spider by Jean-Henri Fabre 7/14
by J.R.R. Tolkien 7/14 Two Towers
- The Passionate Observer by Jean-Henri Fabre 7/14
- Quo Vadis by Henryk Sienkiewicz 6/14
- I, Claudius by Robert Graves 6/14
- Our Reasonable Faith by Herman Bavinck 6/14
- The Man in the Iron Mask by Alexandre Dumas 6/14
- The Big Over Easy by Jasper Fforde 6/14
- Labyrinths by Jorge Luis Borges 5/14
- Fifty Famous Stories Retold by James Baldwin 5/14
- Greenmantle by John Buchan 5/14
- The Punic Wars by Adrian Goldsworthy 5/14
by Jane Austen 5/14 Mansfield Park
- The Brendan Voyage by Tim Severin 5/14
of Blur by N.D.
- The Eyre Affair by Jasper Fforde 4/14
- The Lightning Thief by Percy Jackson 4/14
- First Among Sequels by Jasper Fforde 4/14
- The Fellowship of the Ring by J.R.R. Tolkien 4/14
Secret Thoughts of an Unlikely Convert by Rosaria
- Cover Her Face by P.D. James 3/14
of Bones by N.D.
- The Consolation of Philosophy by Boethius (H.R. James, trans.)3/14
- Murder on the Orient Express by Agatha Christie 3/14
- The Narnian by Alan Jacobs 3/14
Drowned Vault by N.D.
- Crusades by Terry Jones 2/14
- Arthur by Stephen Lawhead 2/14
- The Prayer of the Lord by R.C. Sproul 2/14
- The African Queen by C.S. Forester 2/14
- A Shot of Faith to the Head by Mitch Stokes 1/14
- Ghost on the Throne: The Death of Alexander the Great and the War for Crown and Empire by James Romm 1/14
- The Dragon's Tooth by N. D. Wilson 1/14
- The Wind in the Willows by Kenneth Grahame 1/14
- The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization by Arthur Herman 1/14
25 January 2015
16 January 2015
"I know what you're thinking about," said Mary; "and don't you be silly fools. Don't you listen to the lady novelists. You go down the king's highway; for God's truth, it is God's. Yes, my dear, Michael will often be extremely untidy. Arthur Inglewood will be worse--he'll be tidy. But what else are all the trees and clouds for, you silly kittens?"
"The clouds and trees are all waving about," said Rosamund. "There is a storm coming, and it makes me feel quite excited, somehow. Michael is really rather like a storm: he frightens me and makes me happy."
"Don't you be frightened," said Mary. "All over, these men have one advantage; they are the sort that go out."
A sudden thrust of wind through the trees drifted the dying leaves along the path, and they could hear the far-off trees roaring faintly.
"I mean," said Mary, "they are the kind that look outwards and get interested in the world. It doesn't matter a bit whether it's arguing, or bicycling, or breaking down the ends of the earth as poor old Innocent does. Stick to the man who looks out of the window and tries to understand the world. Keep clear of the man who looks in at the window and tries to understand you. When poor old Adam had gone out gardening (Arthur will go out gardening), the other sort came along and wormed himself in, nasty old snake."- from Manalive by G.K. Chesterton
14 January 2015
The greatest danger in the world of online teaching is that at some point, somewhere, some student is going to do something like this...
05 January 2015
Classical education is built around 2 courses of study: the trivium (3 ways) and the quadrivium (4 ways). Together these make up the 7 liberal arts. Most classical educators today, both home school and private school, focus exclusively on the trivium to the exclusion of the quadrivium. The trivium is made up of Grammar, Dialectic and Rhetoric. These were thought of as the modes of learning or skills or arts or disciplines, if you will, that equip a student to move forward into the deeper studies of philosophy and theology.
In 1947, Dorothy Sayers published an essay titled "The Lost Tools of Learning" that suggests that children have various stages of development at which they are especially suited for learning each of these disciplines. Younger children are particularly suited for studying grammar, young teens are particularly suited for learning dialectic reasoning, and older teens/young adults are particularly suited for rhetoric. Because of Sayers essay, which sparked the modern classical movement, many people today in classical education talk of the trivium as if it is synonymous with these stages. This is what I meant earlier by Classical Education becoming method rather than a philosophy. In earlier times, the trivium was not implemented in stages, and in many older classical schools that have been around since the 1800s, it is still not implemented in stages. The idea that the disciplines and skills of the Trivium can be implemented in this way is a good method, in my opinion, presented by Sayers, but only a method and not part of the core philosophy. In addition, because Sayers did not talk about the quadrivium (it was never her purpose to set forth an outline for a full-orbed classical education) many schools today ignore the quadrivium entirely.
All right, all that was just an introduction... Now on to the actual book I'm reviewing.
Truth for Beauty's Sake by Stratford Caldecott seeks to reintroduce the importance of the quadrivium and the seven liberal arts to education today. The quadrivium is made up of mathematics, geometry, music, and astronomy. While these things are often taught in schools today, they have lost the depth and purpose with which they were imbued in classical education. Arithmetic, for example, is seen now as merely quantitative: useful for calculating practical things for purposes of counting, engineering, programming, etc. However, though this is all part of mathematics, Caldecott points out that in a medieval Christian view of mathematics, numbers have sacred and poetic meanings, and the contemplation of mathematics can lead to deep philosophical and theological considerations. He points out that this poetic focus of math creeps into modern physics and other studies, but is not recognized in a widespread way. Geometry, likewise, is charged with poetic and sacred meaning, from contemplations on the Trinity based on pi, to contemplations of beauty based on phi. According to one legend, the discovery of irrational numbers, for example, caused the Pythagoreans to murder one of their own members in ancient times. It would be hard to think of Geometry causing such passion in modern times. Music (or harmonics, which is the old term for the study) stems from Mathematics and Geometry, and ideas about beauty and music are intertwined with those disciplines. The golden ratio (phi) in geometry, for example, corresponds closely to the major 6th interval in music which is considered by many to be the most aesthetically pleasing interval. Finally Caldecott points out how medieval astronomy was often based, not necessarily on observation, but on symbolism and meaning. It would not bother a medieval to learn that the picture he painted of the cosmos didn't correspond to reality. Indeed, in a fallen universe, he would not expect reality to conform to his ideal conception of it. Nonetheless, Caldecott believes that there is no contradiction between the empirical astronomy of today and the possibility of rich human meaning in the cosmos.
Along the way, he emphasizes that we should think of these things (mathematics, geometry, astronomy and music) not simply as servile arts (designed for practical purposes) but as liberal arts (designed to make us free humans able to properly contemplate the creation and our Creator). Math is very useful in day to day life, but is important for its spiritual qualities even apart from its usefulness. Geometry is a great help to architecture, but both are means of expressing other truths. Learning to play music is a good skill (although actual playing of music was not included in the medieval quadrivium), but the study of music or harmonics apart from actually playing it helps us to contemplate astronomy (the music of the spheres) and mathematics and geometry in a higher way as we seek harmony in our lives and in the world around us. Finally, astronomy is good for the practical things it tells us about the universe, but, perhaps more importantly, for the things it teaches us about God.
This is, admittedly, a difficult book to read. It is scholarly and packed with footnotes. It runs the gamut from science and physics to philosophy and poetry. Caldecott writes of and integrates all of these disparate sources as if he expects that we are as familiar with them all as he is, which makes some high demands of the reader. His theology is pretty wonky in places as well, but I'll try not to judge him for that. The important thing here is to appreciate the picture he is painting for a full-orbed classical education and for the kind of person it produces.
This book is a great corrective to shortcomings in modern classical education as well as to our hyper-reductionistic modernity. It is thought provoking and bold; it is erudite and scholarly. And best of all, it approaches classical education as a philosophy (regarding what sort of person it produces and upon what principles it is based) and not merely a method (follow these three simple steps to academic excellence). If you are a teacher, administrator, or otherwise involved in classical education, I highly recommend this book!
Having read Anselm's De Concordia: The Compatibility of God's Foreknowledge, Predestination, and Grace with Human Freedom, I was struck by how similar many of his arguments sound to those of Martin Luther in Bondage of the Will. Luther was clearly influenced by Anselm in his thinking, whether directly or indirectly.
For example, Luther argued that man does not have moral freedom of the will, because the sinful will is corrupt and unable to change itself to will good. Therefore, if we are to will good and choose God, then it must be because God has changed our broken will. Anselm writes:
"Now let us consider whether people who do not have this uprightness of will can acquire it in some fashion by themselves...no one who does not possess uprightness of will is equipped to acquire it alone with an act of the will...So there is no way by which creatures can have it on their own. Yet neither can a creature have it from another creature. Just as creatures cannot save other creatures, they cannot give them the means necessary for salvation. So it follows that a creature possesses he uprightness which I have called uprightness of the will only by the grace of God."
-Anselm of Canterbury: The Major Works, p. 455
This, of course, leads to the age-old question of why God gives this uprightness of will to some and not others. Is it merited or earned? Anselm again says:
"And even if God does not give grace to everyone, for 'He shows compassion to whom he wills and hardens those he wills to harden' [Rom. 9:18], still he does not give to anyone in return for some antecedent merit, for 'who has first given to God and he shall be rewarded?' [Rom. 11:35]...It must all be attributed to grace, too, because 'it is not of the one who wills, nor of the one who runs, but of God, who shows mercy' [Rom. 9:16]. For to all, except God alone, it is said: 'What do you have that you have not received? And if you have received it all, why do you boast as though you had not received it?' [I Cor. 4:7]...Thus when God gives willing and running to someone conceived and born in sin to whom he owes nothing but punishment, this is not 'of the one who wills, nor of the one who runs, but of God who shows mercy."
-Anselm of Canterbury: The Major Works, p. 455, 458
Anselm likewise says:
"From all this it would seem to follow that people who sin do what they do necessarily even though they act freely." -Anselm of Canterbury: The Major Works, p. 440
And this leads to one more thing that often happens in discussions about foreknowledge, free will and necessity. It is often said that God's predestination is based on His foreknowledge. That events are predestined based on the fact that God has foreseen them already happening. In other words God is foreseeing things happen apart from his intervention (His knowledge is the result of things), and His predestination is simply a stamp of acknowledgement that He has indeed seen those things. Anselm makes a very good point about why this is a bad view:
"Since God is believed to foreknow or know all things, we have still to consider whether his knowledge results from things or whether the existence of things results from his knowledge. For if God owes his knowledge to things, it follows that they exist prior to his knowledge of them and that their existence is not owed to God...Of course every quality, every action, everything that has existence owes its being at all to God..." -Anselm of Canterbury: The Major Works, p. 447
21 December 2014
We've been listening to a lot of She & Him this month, so I thought I'd share a Christmas video from them. Enjoy!
20 December 2014
|The Birth of Jesus|
by Giotto di Bondone
-from Anselm of Canterbury: The Major Works p. 320
09 December 2014
Last year I shared a playlist of Christmas music I was listening to at the time. I'm still enjoying all of that music (especially Downe in Yon Forrest which is officially my favorite Christmas album ever), but there is also another sort of Christmas album to consider. These are the albums you listen to, not when you're sitting and enjoying a peaceful meal or sitting in front of your lit tree, but when you're in the hustle and bustle, wrapping, laughing, decorating, cooking. The fun, bouncy music that sets the mood for the season. This year, I'm posting a list of the fun, bouncy holiday music for the boisterous parts of the season.
1. Barenaked for the Holidays
I've been a Barenaked Ladies fan for a long time, and they never do things by halves. Their Holiday album is no exception. It is jam packed with fun, happy renditions of favorite Christmas songs, and a few of their own thrown in. This is one of our family's favorites at Christmas time (or Hannukah time for that matter).
2. A Very She & Him Christmas
This is the most low-key of the selections on this list, but when She & Him sing classic pop Christmas songs, they often do them better than the original. Their gender-swapped version of "Baby, It's Cold Outside" is hilarious.
3. Christmas with the Chipmunks
A true Christmas classic. I remember that even ALF listened to this for Christmas. (And if you're too young to remember ALF, I feel sorry for you.)
4. Veggie Tales Holiday Pack
Okay, so I'm cheating here. I like so many songs from both of the Veggie Tales Christmas albums, that I decided to choose both. "The Incredible Singing Christmas Tree" and "A Very Veggie Christmas" are staples in the Davis house.
5. Boogie Woogie Christmas
This is new to us this year, but I predict that Brian Setzer's swing/blues renditions of Christmas songs are going to be with us for a long time. Our kids especially love his version of Jingle Bells.
08 December 2014
27 November 2014
In his Dictionary of Cuisine, Alexandre Dumas gives the reader a cautionary tale about turkeys involving the celebrated French poet Boileau.
"Boileau, when a child, was playing in a courtyard where, among other poultry, there happened to be a turkey. Suddenly the child fell, his dress went up, and the turkey...flew at him and with his beak so wounded poor Nicolas that, forever barred from becoming an erotic poet, he became a satiric one and maligned women, instead."
Ouch! So watch out for those turkeys, folks. They're more dangerous than they look. Dumas goes on to add:
"From this, no doubt, stemmed the aversion he had for the Jesuits, sharing the popular belief that they had introduced turkeys to France."
|So you wanna mess with the Jesuits do you?|
Alexandre Dumas' Dictionary of Cuisine (page 250)